{"id":4528,"date":"2023-05-02T17:43:06","date_gmt":"2023-05-02T15:43:06","guid":{"rendered":"http:\/\/www.kocianovo-usti.com\/?p=4528"},"modified":"2026-08-31T11:39:38","modified_gmt":"2026-08-31T09:39:38","slug":"tata-si-pavla-sporcla-velmi-vazil-koho-lepsiho-si-prat","status":"publish","type":"post","link":"https:\/\/www.kocianovo-usti.com\/en\/soutez\/tata-si-pavla-sporcla-velmi-vazil-koho-lepsiho-si-prat\/","title":{"rendered":"T\u00e1ta si Pavla \u0160porcla velmi v\u00e1\u017eil, koho lep\u0161\u00edho si p\u0159\u00e1t?"},"content":{"rendered":"

English version bellow<\/em><\/p>\n

Druh\u00fd festivalov\u00fd koncert nab\u00eddne Biberovy son\u00e1ty v\u00a0pod\u00e1n\u00ed Lucie Sedl\u00e1kov\u00e9 H\u016flov\u00e9<\/strong><\/em><\/p>\n

Rodina H\u016flov\u00fdch a Kocianka je spojen\u00ed trvaj\u00edc\u00ed po generace. Josefa H\u016flu jste mohli na sout\u011b\u017ei potk\u00e1vat des\u00edtky let, jeho syn Pavel sout\u011b\u017e dvakr\u00e1t vyhr\u00e1l, 36 let vedl Kocianovo kvarteto a od roku 2009 p\u0159edsedal porotc\u016fm. Dal\u0161\u00ed generaci H\u016flov\u00fdch zastupuje Pavlova dcera Lucie. \u201eNesm\u00edrn\u011b m\u011b t\u011b\u0161\u00ed, \u017ee pr\u00e1v\u011b Pavel \u0160porcl p\u0159evzal p\u0159edsednictv\u00ed poroty KHS po m\u00e9m tat\u00ednkovi. Je pro tuto funkci v\u00edce ne\u017e kompetentn\u00ed,\u201c \u0159\u00edk\u00e1 na adresu \u0159editele festivalu.\u00a0\"\"<\/a><\/p>\n

Op\u011bt po roce se vrac\u00edte na Kocianku, kde va\u0161e rodina v\u00a0osob\u00e1ch Pavla a Josefa H\u016flov\u00fdch zanechala opravdu nesmazatelnou stopu. T\u011b\u0161\u00edte se, je to pro v\u00e1s hezk\u00fd pocit?<\/strong><\/p>\n

T\u011b\u0161\u00edm se moc. Shodou okolnost\u00ed se sem vrac\u00edm symbolicky v\u00a0den 101. v\u00fdro\u010d\u00ed narozen\u00ed m\u00e9ho d\u011bdy Josefa H\u016fly, kter\u00fd na Kocianku pravideln\u011b jezdil od jej\u00edch prvn\u00edch ro\u010dn\u00edk\u016f, kdy sem doprov\u00e1zel sv\u00e9ho syna \u2013 m\u00e9ho otce Pavla H\u016flu \u2013 p\u0159i jeho v\u00edt\u011bzstv\u00edch v\u00a0letech 1963 a 1964. Sout\u011b\u017e nav\u0161t\u011bvoval i v\u00a0dal\u0161\u00edch letech, tak\u0159ka a\u017e do sv\u00e9 smrti v\u00a0roce 2005.<\/p>\n

Jsou to tedy siln\u00e9 vzpom\u00ednky?<\/strong><\/p>\n

M\u00e1m jeho narozeniny spojeny pr\u00e1v\u011b s\u00a0pobytem v\u00a0\u00dast\u00ed, kdy jsem sem s\u00a0n\u00edm a s rodi\u010di odmali\u010dka jezdila. Letos se vrac\u00edm ov\u0161em v\u00a0jin\u00e9 roli. M\u00e1m tu \u010dest si zahr\u00e1t na festivalov\u00e9m koncert\u011b reperto\u00e1r, kter\u00fd je bl\u00edzk\u00fd m\u00e9mu srdci, houslisticky velmi n\u00e1ro\u010dn\u00fd, a p\u0159itom na sout\u011b\u017ei prakticky nepou\u017eiteln\u00fd.<\/p>\n

Pavel H\u016fla p\u0159edsedal od roku 2009 odborn\u00e9 porot\u011b, nakolik v\u00fdznamn\u00e1 je sout\u011b\u017e ve va\u0161ich o\u010d\u00edch? M\u00e1 v\u00a0\u010cesku i za hranicemi zvuk?<\/strong><\/p>\n

Sv\u00e9ho \u010dasu byla Kocianka \u0161iroko daleko jedinou mezin\u00e1rodn\u00ed sout\u011b\u017e\u00ed pro danou v\u011bkovou kategorii. Dnes se s\u00a0podobn\u00fdmi sout\u011b\u017eemi tak\u0159ka roztrhl pytel, ale Kocianka m\u00e1 rozhodn\u011b navrch svou mnohaletou tradic\u00ed. Z\u00a0n\u00ed vy\u0161la cel\u00e1 \u0159ada vynikaj\u00edc\u00edch a dnes renomovan\u00fdch houslist\u016f, pro kter\u00e9 byla odrazov\u00fdm m\u016fstkem k\u00a0budouc\u00ed kari\u00e9\u0159e. O tom, \u017ee m\u00e1 zvuk i za hranicemi, sv\u011bd\u010d\u00ed hojn\u00e1 mezin\u00e1rodn\u00ed \u00fa\u010dast.<\/p>\n

Housle se ve va\u0161\u00ed rodin\u011b p\u0159ed\u00e1vaj\u00ed z\u00a0generace na generaci, znamen\u00e1 to, \u017ee pr\u00e1v\u011b otec byl pro va\u0161e sm\u011b\u0159ov\u00e1n\u00ed t\u00edm hlavn\u00edm? Jak moc a v\u00a0\u010dem konkr\u00e9tn\u011b v\u00e1s ovlivnil?<\/strong><\/p>\n

T\u00e1ta pro mne byl a z\u016fstane velk\u00fdm hudebn\u00edm vzorem. Nem\u011bl sice zpo\u010d\u00e1tku \u010das ani trp\u011blivost dohl\u00ed\u017eet na m\u00e9 hudebn\u00ed za\u010d\u00e1tky, ale od narozen\u00ed m\u011b ovliv\u0148oval sv\u00fdm celkov\u00fdm p\u0159\u00edstupem a vztahem k\u00a0hudb\u011b. Od mali\u010dka m\u011b br\u00e1val na koncerty, st\u00e1le doma pou\u0161t\u011bl n\u011bjakou hudbu, ob\u010das jsem byla p\u0159\u00edtomn\u00e1 i na jeho zkou\u0161k\u00e1ch nebo z\u00e1jezdech v\u011bt\u0161inou s\u00a0Kocianov\u00fdm kvartetem. Doma se p\u0159ipravoval na koncerty i v\u010detn\u011b nutn\u00fdch organiza\u010dn\u00edch a administrativn\u00edch z\u00e1le\u017eitost\u00ed, a tak jsem d\u00edky n\u011bmu v\u011bd\u011bla a za\u017e\u00edvala, co v\u0161echno obn\u00e1\u0161\u00ed \u017eivot koncertn\u00edho um\u011blce. Nikdy m\u011b ale nenutil, abych se tak\u00e9 housl\u00edm v\u011bnovala profesion\u00e1ln\u011b.<\/p>\n

Opravdu ne?<\/strong><\/p>\n

To jsem se rozhodla a\u017e sama dobrovoln\u011b, asi rok p\u0159ed p\u0159ij\u00edma\u010dkami na konzervato\u0159. Od dob m\u00fdch studi\u00ed na konzervato\u0159i jsem s\u00a0n\u00edm pak vystupovala na koncertech, co\u017e pro mne bylo velkou inspirac\u00ed, motivac\u00ed, ale i cennou zku\u0161enost\u00ed. V\u017edycky jsem obdivovala jeho u\u0161lechtil\u00fd zp\u016fsob hry a noblesn\u00ed vystupov\u00e1n\u00ed.<\/p>\n

A p\u0159\u00edb\u011bh nekon\u010d\u00ed, v\u00a0tradici pokra\u010duje va\u0161e dcera Magdalena, kter\u00e1 tak\u00e9 hraje na housle. Va\u0161eho syna Luk\u00e1\u0161e jsme naopak mohli vid\u011bt mezi sout\u011b\u017e\u00edc\u00edmi Heranovy violoncellov\u00e9 sout\u011b\u017ee. P\u0159em\u00fd\u0161l\u00ed u\u017e o sv\u00e9 hudebn\u00ed budoucnosti?<\/strong><\/p>\n

Ob\u011b d\u011bti studuj\u00ed na Hudebn\u00edm gymn\u00e1ziu v\u00a0Praze, co\u017e jim d\u00e1v\u00e1 poctiv\u00e9 hudebn\u00ed z\u00e1klady i v\u0161eobecn\u00e9 vzd\u011bl\u00e1n\u00ed, tedy maj\u00ed mo\u017enost rozhodnout se po maturit\u011b i pro jinou ne\u017e hudebn\u00ed cestu. V\u00a0dne\u0161n\u00ed dob\u011b je ur\u010dit\u011b v\u00fdhodou m\u00edt v\u0161eobecn\u00e9 vzd\u011bl\u00e1n\u00ed, ale j\u00e1 ve skrytu du\u0161e douf\u00e1m, \u017ee se na tu profesion\u00e1ln\u00ed hudebn\u00ed dr\u00e1hu oba vydaj\u00ed. Maj\u00ed k\u00a0tomu z\u00e1zem\u00ed i p\u0159edpoklady. T\u00e1ta m\u011bl velkou radost, kdy\u017e ob\u011b vnou\u010data za\u010dala na n\u011bco hr\u00e1t, a o jejich hudebn\u00ed v\u00fdvoj se do posledn\u00ed chv\u00edle aktivn\u011b zaj\u00edmal. M\u011bli jsme to \u0161t\u011bst\u00ed, \u017ee jsme mohli je\u0161t\u011b n\u011bkolikr\u00e1t spole\u010dn\u011b s\u00a0t\u00e1tou, m\u00fdm man\u017eelem violoncellistou Martinem Sedl\u00e1kem a na\u0161imi d\u011btmi vystoupit na koncertech v\u00a0rodinn\u00e9m kvintetu t\u0159\u00ed generac\u00ed. To byly vz\u00e1cn\u00e9 chv\u00edle, na kter\u00e9 nikdy nezapomeneme.\u00a0<\/p>\n

Orchestr Praga Camerata, kter\u00fd Pavel H\u016fla zakl\u00e1dal, si nyn\u00ed vede jak?<\/strong><\/p>\n

Po \u00famrt\u00ed m\u00e9ho otce jsme se s\u00a0man\u017eelem ujali veden\u00ed komorn\u00edho orchestru Praga Camerata, kter\u00fd t\u00e1ta v\u00a0roce 2001 zalo\u017eil a ve kter\u00e9m jsme s\u00a0man\u017eelem od za\u010d\u00e1tku hr\u00e1li. Mimo jin\u00e9 jsme \u00fa\u010dinkovali i na festivalov\u00fdch koncertech zde v\u00a0\u00dast\u00ed. R\u00e1da bych tak\u00e9 zm\u00ednila, \u017ee si n\u00e1\u0161 orchestr Praga Camerata v\u00a0posledn\u00edch letech \u010dasto zve ke spolupr\u00e1ci Pavel \u0160porcl, co\u017e n\u00e1s velmi t\u011b\u0161\u00ed a bav\u00ed. M\u011bli jsme tu \u010dest doprov\u00e1zet Pavla i minul\u00fd t\u00fdden v\u00a0pra\u017esk\u00e9 Lucern\u011b na slavnostn\u00edm koncert\u011b k\u00a0jeho pades\u00e1tin\u00e1m, co\u017e byl mimo\u0159\u00e1dn\u00fd z\u00e1\u017eitek.<\/p>\n

Tak\u00e9 hodn\u011b n\u00e1ro\u010dn\u00fd na p\u0159\u00edpravu, \u017ee?<\/strong><\/p>\n

Od za\u010d\u00e1tku jsem se \u010d\u00e1ste\u010dn\u011b pod\u00edlela na p\u0159\u00edprav\u00e1ch koncertu, a kdy\u017e za\u010dal Pavel vym\u00fd\u0161let program slo\u017een\u00fd z tolika skladeb r\u016fzn\u00fdch styl\u016f a s\u00a0tolika spolu\u00fa\u010dinkuj\u00edc\u00edmi z r\u016fzn\u00fdch \u017e\u00e1nr\u016f, trochu jsem se b\u00e1la, aby koncert nesklouzl do pouh\u00e9 estr\u00e1dy. U\u017e p\u0159i prvn\u00ed zkou\u0161ce m\u011b ale p\u0159esv\u011bd\u010dil, \u017ee tomu tak nebude.<\/p>\n

A b\u011bhem koncertu?<\/strong><\/p>\n

P\u0159i samotn\u00e9 akci jsem sed\u011bla na p\u00f3diu po cel\u00e9 bezm\u00e1la \u010dty\u0159i hodiny trv\u00e1n\u00ed koncertu metr od Pavla a m\u011bla tak ve\u0161ker\u00e9 jeho hran\u00ed a vystupov\u00e1n\u00ed z\u00a0prvn\u00ed ruky. M\u016f\u017eu zodpov\u011bdn\u011b prohl\u00e1sit, \u017ee jeho v\u00fdkon byl obdivu a \u00facty hodn\u00fd a na t\u00e9 nejvy\u0161\u0161\u00ed profesion\u00e1ln\u00ed \u00farovni. A\u0165 hr\u00e1l Vivaldiho, nebo melodii z muzik\u00e1lu, a\u0165 hr\u00e1l Montiho \u010card\u00e1\u0161, nebo doprov\u00e1zel n\u011bkter\u00e9ho z\u00a0host\u016f, v\u0161echno hr\u00e1l s\u00a0pln\u00fdm nasazen\u00edm a houslisticky naprosto p\u0159esv\u011bd\u010div\u011b. Do toho si jen tak mimochodem s\u00a0absolutn\u00edm nadhledem \u201est\u0159ihnul\u201c dv\u011b Paganinsk\u00e9 Caprice nebo Sarasateho Cik\u00e1nsk\u00e9 melodie.\u00a0<\/p>\n

V\u0161e se tedy vyda\u0159ilo podle Pavlov\u00fdch p\u0159edstav?<\/strong><\/p>\n

Program m\u011bl dramaturgicky pe\u010dliv\u011b promy\u0161len\u00fd a velmi vhodn\u011b sestaven\u00fd, m\u011blo to n\u00e1boj a tah. Za cel\u00fd ve\u010der nezahr\u00e1l jedinou fale\u0161nou nebo nekvalitn\u00ed notu. V\u011bt\u0161inu skladeb hr\u00e1l zpam\u011bti, s\u00a0rodinou si dokonce i zazp\u00edval a cel\u00fd koncert mile a vtipn\u011b moderoval. A to nezmi\u0148uji, \u017ee koncertu p\u0159edch\u00e1zela je\u0161t\u011b \u010dty\u0159hodinov\u00e1 gener\u00e1lka, kde musel p\u0159ehr\u00e1t t\u00e9m\u011b\u0159 cel\u00fd program a k\u00a0tomu \u0159e\u0161il je\u0161t\u011b spoustu logistick\u00fdch z\u00e1le\u017eitost\u00ed. To zvl\u00e1dl tak\u00e9 v\u00a0klidu a s nadhledem. Zkr\u00e1tka byla to d\u016fstojn\u00e1 oslava fenomen\u00e1ln\u00edho houslisty.<\/p>\n

A nav\u00edc \u010dlov\u011bka, kter\u00fd p\u0159evzal d\u016fle\u017eitou \u00falohu p\u0159edsedy poroty Kocianky po va\u0161em otci.<\/strong><\/p>\n

Cht\u011bla bych v\u00a0t\u00e9 souvislosti podotknout, \u017ee m\u011b nesm\u00edrn\u011b t\u011b\u0161\u00ed, \u017ee pr\u00e1v\u011b Pavel \u0160porcl p\u0159evzal p\u0159edsednictv\u00ed poroty KHS po m\u00e9m tat\u00ednkovi. T\u00e1ta si Pavla velmi v\u00e1\u017eil, a p\u0159esto\u017ee se nikdy nesv\u011b\u0159il, koho by si jako sv\u00e9ho n\u00e1stupce p\u0159edstavoval, v\u011b\u0159\u00edm, \u017ee by byl spokojen. Pavel \u0160porcl je pro tuto funkci v\u00edce ne\u017e kompetentn\u00ed. S\u00e1m v\u00edt\u011bz Kocianky, \u017e\u00e1k profesora V\u00e1clava Sn\u00edtila, n\u011bkdej\u0161\u00edho dlouholet\u00e9ho p\u0159edsedy poroty a \u017e\u00e1ka Mistra Jaroslava Kociana. Ale p\u0159edev\u0161\u00edm vynikaj\u00edc\u00ed houslista, kter\u00fd ct\u00ed tradice, z\u00e1rove\u0148 se v\u0161ak neboj\u00ed experimentovat, v\u017edy na t\u00e9 nejvy\u0161\u0161\u00ed \u00farovni. Pro mlad\u00e9 houslisty je nepochybn\u011b p\u0159\u00edkladem a inspirac\u00ed, dok\u00e1\u017ee oslovit a nadchnout\u00a0lidi v\u0161ech generac\u00ed i profes\u00ed a m\u00e1 v\u00fdborn\u00e9 mana\u017eersk\u00e9 schopnosti. Koho lep\u0161\u00edho si na postu patrona a p\u0159edsedy Kocianovy houslov\u00e9 sout\u011b\u017ee p\u0159\u00e1t?\u00a0<\/p>\n

Loni byl jeden z\u00a0festivalov\u00fdch koncert\u016f v\u011bnov\u00e1n pr\u00e1v\u011b va\u0161emu zesnul\u00e9mu otci, letos naopak v\u00a0programu figuruje va\u0161e jm\u00e9no. Biberovy R\u016f\u017eencov\u00e9 son\u00e1ty jste ozna\u010dila za specifick\u00e9, \u010d\u00edm p\u0159esn\u011b?<\/strong><\/p>\n

Biberovy R\u016f\u017eencov\u00e9 son\u00e1ty jsou moj\u00ed srde\u010dn\u00ed z\u00e1le\u017eitost\u00ed. Spojuj\u00ed v\u00a0sob\u011b toti\u017e duchovn\u00ed n\u00e1m\u011bt s\u00a0houslovou virtuozitou, co\u017e je pro mne jako\u017eto v\u011b\u0159\u00edc\u00edho \u010dlov\u011bka ide\u00e1ln\u00ed kombinace. V\u00a0\u010dist\u011b instrument\u00e1ln\u00edm houslov\u00e9m reperto\u00e1ru je duchovn\u00ed t\u00e9matika dosti ojedin\u011bl\u00e1. Ke sb\u00edrce t\u011bchto son\u00e1t se nedochovalo p\u0159\u00edm\u00e9 sv\u011bdectv\u00ed o p\u016fvodn\u00edm autorov\u011b z\u00e1m\u011bru, zda se m\u011blo jednat o skladby ur\u010den\u00e9 k\u00a0hran\u00ed p\u0159i modlitb\u011b r\u016f\u017eence, nebo jen o samostatn\u00e9 son\u00e1ty inspirovan\u00e9 biblick\u00fdmi p\u0159\u00edb\u011bhy.<\/p>\n

Co zaj\u00edmav\u00e9ho o nich je\u0161t\u011b v\u00edme?<\/strong><\/p>\n

Jist\u00e9 je, \u017ee se dochoval prvn\u00ed dobov\u00fd tisk t\u011bchto son\u00e1t, kde ka\u017edou ze son\u00e1t uvozuje m\u011bdirytina, kter\u00e1 jasn\u011b zobrazuje jednotliv\u00e1 r\u016f\u017eencov\u00e1 tajemstv\u00ed. Pro mne osobn\u011b to znamen\u00e1, \u017ee mi hran\u00ed t\u011bchto son\u00e1t d\u00e1v\u00e1 mo\u017enost promeditovat jednotliv\u00e1 tajemstv\u00ed je\u0161t\u011b skrz hudebn\u00ed vyj\u00e1d\u0159en\u00ed. Nen\u00ed to ale tak snadn\u00e9. Biber toti\u017e kompozici tohoto souboru skladeb promyslel nejen hudebn\u011b, ale i technicky. Pro ka\u017edou ze son\u00e1t p\u0159edepsal jin\u00e9 lad\u011bn\u00ed strun, tzv. skordaturu. Tato technika p\u0159ela\u010fov\u00e1n\u00ed se v\u00a0baroku b\u011b\u017en\u011b pou\u017e\u00edvala za \u00fa\u010delem dosa\u017een\u00ed specifick\u00e9ho zvuku a barev pomoc\u00ed neobvykl\u00fdch souzvuk\u016f, kter\u00e9 p\u0159elad\u011bn\u00edm vznikaj\u00ed.<\/p>\n

Jak takov\u00fd program dnes vlastn\u011b prov\u00e9st?<\/strong><\/p>\n

Pro dne\u0161n\u00edho houslistu je to nezvykl\u00fd o\u0159\u00ed\u0161ek, proto\u017ee nejprve je pot\u0159eba si p\u0159eladit struny podle p\u0159edpisu, p\u0159i\u010dem\u017e ani jedna z\u00a0patn\u00e1cti son\u00e1t nem\u00e1 p\u0159elad\u011bn\u00ed stejn\u00e9. Proto je tak\u00e9 prakticky nemo\u017en\u00e9 zahr\u00e1t cel\u00fd cyklus na jedny housle. Pokud se hraje v\u00edce son\u00e1t, je pot\u0159eba kv\u016fli p\u0159ela\u010fov\u00e1n\u00ed m\u00edt n\u00e1stroj\u016f v\u00edce. Krom\u011b prvn\u00ed son\u00e1ty nikde nejsou struny v\u00a0pom\u011bru pouze kvint, ale n\u011bkde je to v\u00a0kombinaci s\u00a0kvartou, n\u011bkde terci\u00ed, n\u011bkdy i sextou a nejv\u011bt\u0161\u00ed kuriozitou je dokonce p\u0159ek\u0159\u00ed\u017een\u00ed dvou prost\u0159edn\u00edch strun, kdy pak vznik\u00e1 pom\u011br okt\u00e1vy. Houslista mus\u00ed hr\u00e1t notov\u00fd z\u00e1pis d\u016fsledn\u011b v\u00a0prvn\u00ed poloze, krom\u011b struny E, kde se pohybuje i ve vy\u0161\u0161\u00edch poloh\u00e1ch.<\/p>\n

Nejsem si jist\u00fd, zda mi na pochopen\u00ed sta\u010d\u00ed b\u011b\u017en\u00e9 hodiny hudebn\u00ed nauky\u2026<\/strong><\/p>\n

Kv\u016fli p\u0159elad\u011bn\u00ed strun p\u0159i b\u011b\u017en\u00fdch hmatech zn\u00ed jin\u00e9 t\u00f3ny. Tak\u017ee je to takov\u00e1 schizofrenie, proto\u017ee zn\u00ed n\u011bco jin\u00e9ho, ne\u017e vid\u00edte p\u0159ed sebou v not\u00e1ch. Je to ale z\u00e1rove\u0148 \u00fa\u017easn\u00e9 dobrodru\u017estv\u00ed, proto\u017ee pr\u00e1v\u011b tyto nezvykl\u00e9 hmaty a souzvuky dotv\u00e1\u0159ej\u00ed hudebn\u00ed vyj\u00e1d\u0159en\u00ed jednotliv\u00fdch tajemstv\u00ed. Nejedn\u00e1 se o programn\u00ed hudbu, ale sp\u00ed\u0161e o hudebn\u00ed n\u00e1m\u011bt k\u00a0vlastn\u00ed meditaci \u010di modlitb\u011b.\u00a0<\/p>\n

Co byste prozradila o autorovi samotn\u00e9m a jeho tvorb\u011b?<\/strong><\/p>\n

Heinrich Ignaz Franz Biber nen\u00ed u n\u00e1s tak zn\u00e1m\u00fdm a hran\u00fdm skladatelem, p\u0159esto\u017ee se narodil v\u00a0severn\u00edch \u010cech\u00e1ch ve Str\u00e1\u017ei pod Ralskem. Nikdo ho v\u0161ak za vylo\u017een\u011b \u010desk\u00e9ho skladatele nepova\u017euje. Byl n\u011bmeck\u00e9ho p\u016fvodu, tak se \u0159ad\u00ed k \u010deln\u00edm p\u0159edstavitel\u016fm n\u011bmeck\u00e9 houslov\u00e9 \u0161koly. Jeliko\u017e ale v\u011bt\u0161inu sv\u00e9ho \u017eivota p\u016fsobil v\u00a0Salzburgu, je \u010dasto pova\u017eov\u00e1n i za v\u00fdznamn\u00e9ho rakousk\u00e9ho houslistu a skladatele. Biber pat\u0159il ji\u017e ve sv\u00e9 dob\u011b k\u00a0uzn\u00e1van\u00fdm hudebn\u00edk\u016fm a inov\u00e1tor\u016fm, co\u017e dokazuj\u00ed pochvaln\u00e9 a oslavn\u00e9 dochovan\u00e9 cit\u00e1ty jeho sou\u010dasn\u00edk\u016f, ale i pocty, kter\u00fdch se mu ji\u017e za \u017eivota dostalo. Byl jednou z\u00a0v\u016fd\u010d\u00edch osobnost\u00ed p\u0159edbachovsk\u00e9 \u00e9ry a jako houslista v\u00a0mnoha sm\u011brech obohatil a v\u00fdznamn\u011b posunul houslovou techniku. \u010c\u00edm v\u00edce o n\u011bm v\u00edm, t\u00edm v\u00edce mi p\u0159ipad\u00e1 jeho d\u00edlo geni\u00e1ln\u00ed, n\u00e1padit\u00e9, inov\u00e1torsk\u00e9, modern\u00ed.<\/p>\n

V\u00a0\u010dem konkr\u00e9tn\u011b?<\/strong><\/p>\n

Komponoval skladby v\u0161eho druhu, duchovn\u00ed i sv\u011btsk\u00e9, z\u00e1va\u017en\u00e9 i oddychov\u00e9. Mezi nejpozoruhodn\u011bj\u0161\u00ed d\u00edla pat\u0159\u00ed 53 hlas\u00e1 Missa Salisburgensis, ve kter\u00e9 Biber maxim\u00e1ln\u011b vyu\u017eil v\u00edcesborovou techniku i modern\u00ed koncertantn\u00ed styl, ale tak\u00e9 vyu\u017eil cel\u00fd chr\u00e1mov\u00fd prostor v\u010detn\u011b p\u011bti varhann\u00edch k\u016fr\u016f salcbursk\u00e9ho d\u00f3mu, na kter\u00e9 rozm\u00edstil jednotliv\u00e9 skupiny muzikant\u016f a zp\u011bv\u00e1k\u016f. Z\u00a0Biberov\u00fdch houslov\u00fdch d\u011bl je nejzn\u00e1m\u011bj\u0161\u00ed pr\u00e1v\u011b cyklus patn\u00e1cti tzv. R\u016f\u017eencov\u00fdch son\u00e1t, k\u00a0nim\u017e pat\u0159\u00ed i \u0161estn\u00e1ct\u00e1 s\u00f3lov\u00e1 Passagalia s\u00a0podtitulem \u201eAnd\u011bl str\u00e1\u017en\u00fd\u201c. Ta zauj\u00edm\u00e1 v\u00a0houslov\u00e9 literatu\u0159e speci\u00e1ln\u00ed m\u00edsto, proto\u017ee je to prvn\u00ed skladba pro s\u00f3lov\u00e9 housle bez doprovodu zkomponovan\u00e1 cca 40 let p\u0159ed Bachov\u00fdmi s\u00f3lov\u00fdmi Son\u00e1tami a Partitami.\u00a0<\/p>\n

Na festivalu vystoup\u00edte spolu s\u00a0varhan\u00edkem Jaroslavem T\u016fmou, kter\u00e9ho \u00fasteck\u00e9 publikum dob\u0159e zn\u00e1. Va\u0161e um\u011bleck\u00e9 aktivity jsou ov\u0161em mnohem bohat\u0161\u00ed, mohla byste je \u010dten\u00e1\u0159\u016fm p\u0159ibl\u00ed\u017eit?<\/strong><\/p>\n

Krom\u011b s\u00f3lov\u00e9 \u010dinnosti se v\u011bnuji p\u0159edev\u0161\u00edm komorn\u00ed hudb\u011b, a to zejm\u00e9na v\u00a0klav\u00edrn\u00edm triu Kinsky Trio Prague s\u00a0man\u017eelem \u2013 violoncellistou Martinem Sedl\u00e1kem \u2013 a klav\u00edristkou Veronikou B\u00f6hmovou. V\u00a0tomto uskupen\u00ed jsme u\u017e absolvovali mnoho \u00fasp\u011b\u0161n\u00fdch koncert\u016f u n\u00e1s i ve sv\u011bt\u011b, nato\u010dili n\u011bkolik CD a po\u0159\u00e1d\u00e1me letn\u00ed mezin\u00e1rodn\u00ed kurzy komorn\u00ed hudby. Z\u00a0posledn\u00ed doby m\u00e1me velkou radost z koncertu, kter\u00fd m\u011bl d\u00edky \u010detn\u00e9mu publiku \u00fa\u017easnou atmosf\u00e9ru a velmi nad\u0161en\u00fd ohlas a jeho\u017e hostitelem byl pan Franti\u0161ek Kinsk\u00fd na Nov\u00e9m z\u00e1mku v\u00a0Kostelci nad Orlic\u00ed.<\/p>\n

Pan Kinsk\u00fd podporuje aktivn\u011b Kocianovu sout\u011b\u017e, va\u0161e aktivity tedy tak\u00e9?<\/strong><\/p>\n

Franti\u0161ek Kinsk\u00fd n\u00e1m dal kdysi svolen\u00ed k\u00a0u\u017e\u00edv\u00e1n\u00ed jm\u00e9na slavn\u00e9ho \u010desk\u00e9ho \u0161lechtick\u00e9ho rodu. A tak jsme m\u011bli p\u0159i koncertov\u00e1n\u00ed na jeho z\u00e1mku pocit jak za star\u00fdch \u010das\u016f, kdy si \u0161lechtici zvali do sv\u00fdch s\u00eddel muzikanty, aby hr\u00e1li pro vybranou spole\u010dnost. Je obdivuhodn\u00e9, jak dok\u00e1zal pan Kinsk\u00fd Nov\u00fd z\u00e1mek vzk\u0159\u00edsit a kulturn\u011b o\u017eivit. Ostatn\u011b zve tam ke koncertov\u00e1n\u00ed i \u00fasp\u011b\u0161n\u00e9 \u010desk\u00e9 \u00fa\u010dastn\u00edky Kocianky a Heranky, co\u017e je pro n\u011b skv\u011bl\u00e1 p\u0159\u00edle\u017eitost.<\/p>\n

 <\/p>\n

Lucie Sedl\u00e1kov\u00e1 H\u016flov\u00e1 <\/em><\/strong>to play Biber\u2019s sonatas at the second concert of the festival<\/em><\/p>\n

Father held Pavel \u0160porcl in high regard, who could be better?<\/strong><\/p>\n

H\u016fla family and Kocianka have been interconnected for generations. Josef H\u016fla was part of the competition for decades; his son Pavel won the competition twice, he was the leader of the Kocian Quartet for 36 years, and, from 2009, he was the jury chairman. Pavel\u2019s daughter, Lucie, represents the next H\u016fla generation. \u201cI am most pleased that Pavel \u0160porcl undertook the jury chairman position after my father. He is more than qualified,\u201d says she about the competition director.<\/p>\n

You are once again back after a year here at Kocianka, where Pavel and Josef H\u016fla left a trace of your family\u2019s legacy. Are you excited?<\/strong><\/p>\n

I am very excited. Coincidentally, I came back on the day that would have been my grandfather\u2019s 101st<\/sup> birthday. From the beginning, he regularly attended the competition, accompanying his son, Pavel H\u016fla, during his winning years in 1963 and 1964. He attended the competition in the following years as well, practically until his passing in 2005.<\/p>\n

The memories must be strong then.<\/strong><\/p>\n

I associate this day with being here in \u00dast\u00ed, we used to visit this place along with my parents since I was a child. This year, the purpose of my visit is different. I have the honour of playing a repertoire that is close to my heart, it is also very difficult to perform on violin and virtually unsuitable for the competition.<\/p>\n

Pavel H\u016fla was the jury chairman from 2009. How significant is the competition for you? Does it resonate even abroad?<\/strong><\/p>\n

In the past, Kocianka used to be the only international competition for the selected age category. Nowadays, we can see a great number of similar competitions, but Kocianka prevails with its long-standing tradition. Many excellent and currently famous violinists started here, the competition was a stepping stone for their careers. And the resonation abroad is confirmed by numerous international participants.<\/p>\n

Playing the violin is something that is passed from generation to generation in your family, does that mean that Pavel was the one who stimulated you? How much did he influence you?<\/strong><\/p>\n

My father was and always will be a significant musical role model for me. Unfortunately, he did not have the time, nor the patience, to watch over my musical beginnings, but he still influenced me from my early childhood through his relationship with music. He used to take me to concerts, music was always playing at our house, and sometimes, he took me to his rehearsals and tours with Kocian Quartet. At home, he used to prepare for concerts, including the necessary organizational and administrative matters, thanks to that, I could see for myself what it means to be a musical artist. He never forced me to pursue a professional violin career, though.<\/p>\n

He did not?<\/strong><\/p>\n

I decided that for myself, about a year before my entrance exam to the conservatory. After my studies, I played at his concerts, which was a great source of inspiration, motivation, and valuable experience. I always admired his fine way of playing and graceful performances.\u00a0<\/p>\n

The story does not end here, though, your daughter Magdalena plays the violin as well, continuing the tradition. Your son Luk\u00e1\u0161 was among the participants of Heran violoncello competition. Are they planning their musical careers yet?<\/strong><\/p>\n

Both my children study at the musical grammar school in Prague, meaning that they get sufficient musical as well as general education, therefore, they will have an option to pursue other careers than musical ones after they graduate. I think it is an advantage to study at grammar school these days, still, I hope that they will pursue a musical career. They have the necessary background and talent. My father was very pleased to hear that both his grandchildren had taken up an instrument, and he participated actively in their musical development. We were lucky to have the opportunity to play all together: my father, my husband – violoncellist Martin Sedl\u00e1k – and my children, at concerts in the form of a family quintet of three generations. Those were special times we will never forget.<\/p>\n

What is the current state of the Praga Camerata orchestra founded by Pavel H\u016fla?<\/strong><\/p>\n

After my father passed away, my husband and I undertook the management of the chamber orchestra Praga Camerata, which was founded by my father in 2001 and in which we both played from the beginning. We also played some concerts at various festivals here in \u00dast\u00ed. Also, the Praga Camerata orchestra is often invited to collaborate with Pavel \u0160porcl, which is a great honour and pleasure. We also had the honour of playing with Pavel last week in Lucerna Palace in Prague at the celebratory concert of his 50th<\/sup> birthday, it was a memorable event.<\/p>\n

Were the preparations intense?<\/strong><\/p>\n

I was helping with the preparations from the beginning. Pavel started creating a programme consisting of compositions of various styles and co-performers of different genres, I started to worry that the concert might turn into a farce. However, right at the first rehearsal, all my worries were blown away.\u00a0<\/p>\n

And during the concert?<\/strong><\/p>\n

At the concert, I was seated on the stage and I could experience Pavel\u2019s 4-hour lasting performance first-hand. I can declare that the performance was admirable and artistically supreme. Whether he played Vivaldi, a melody from a musical, Monti\u2019s Cs\u00e1rd\u00e1s<\/em>, or just accompanied another performer, his performance was full of commitment and conviction. On top of that, he masterfully performed two of Paganini\u2019s Caprices<\/em> and Sarasate\u2019s Gypsy Airs<\/em>.<\/p>\n

So everything went according to Pavel\u2019s plan?<\/strong><\/p>\n

The programme was very well planned and structured, it was dynamic and lively. There was not a single false or bad note played that night. He played most of the compositions from memory, sang with his family and hosted the whole show with light humour. Moreover, before the show, there was a 4-hour-long final rehearsal where the whole programme was played and some logistical matters were addressed. During all that, he stayed on top of things. Simply, it was a celebration worthy of a phenomenal violinist.<\/p>\n

And also of someone who undertook the important role of Kocianka jury chairman after your father.<\/strong><\/p>\n

I just wanted to comment on this, I am more than happy that it is none other than Pavel \u0160porcl who undertook this position. My father held Pavel in high regard and even though he never explicitly said who should be his successor, I am sure he would have been pleased. Pavel is more than qualified for this job. After all, he himself won the competition in the past, he was a student of professor V\u00e1clav Sn\u00edtil, the former long-standing jury chairman and a student of Jaroslav Kocian himself. He is an excellent violinist who upholds traditions but is also not afraid to experiment. I believe he is a role model and inspiration for young violinists, he has the ability to charm people of all ages and professions and has great management skills. Who could be better to fit the place of a patron and jury chairman of Kocianka?<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

English version bellow Druh\u00fd festivalov\u00fd koncert nab\u00eddne Biberovy son\u00e1ty v\u00a0pod\u00e1n\u00ed Lucie Sedl\u00e1kov\u00e9 H\u016flov\u00e9 Rodina H\u016flov\u00fdch a Kocianka je spojen\u00ed trvaj\u00edc\u00ed po generace. Josefa H\u016flu jste mohli na sout\u011b\u017ei potk\u00e1vat des\u00edtky let, jeho syn Pavel sout\u011b\u017e dvakr\u00e1t vyhr\u00e1l, 36 let vedl Kocianovo kvarteto a od roku 2009 p\u0159edsedal porotc\u016fm. Dal\u0161\u00ed generaci H\u016flov\u00fdch zastupuje Pavlova dcera Lucie. […]<\/p>\n","protected":false},"author":6,"featured_media":4529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,7,8,2],"tags":[],"class_list":["post-4528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fest","category-novinky","category-novinky-soutez","category-soutez"],"acf":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9KsEQ-1b2","jetpack_featured_media_url":"https:\/\/www.kocianovo-usti.com\/wp-content\/uploads\/2023\/05\/Obrazek-WhatsApp-2023-04-29-v-10.01.06.jpg","_links":{"self":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts\/4528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/comments?post=4528"}],"version-history":[{"count":1,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts\/4528\/revisions"}],"predecessor-version":[{"id":10582,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts\/4528\/revisions\/10582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/media\/4529"}],"wp:attachment":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/media?parent=4528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/categories?post=4528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/tags?post=4528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}