{"id":4863,"date":"2023-05-03T20:17:37","date_gmt":"2023-05-03T18:17:37","guid":{"rendered":"http:\/\/www.kocianovo-usti.com\/?p=4863"},"modified":"2026-08-31T11:39:33","modified_gmt":"2026-08-31T09:39:33","slug":"jak-to-slysim-ja-ii-kategorie-2","status":"publish","type":"post","link":"https:\/\/www.kocianovo-usti.com\/en\/soutez\/novinky-soutez\/jak-to-slysim-ja-ii-kategorie-2\/","title":{"rendered":"Jak to sly\u0161\u00edm j\u00e1 II. kategorie"},"content":{"rendered":"

Tulgat Yesui\u00a0\u00a0<\/b><\/p>\n

\u010cern\u00e1 barva \u0161at\u016f koresponduje se smutkem prvn\u00edch t\u00f3n\u016f skladby, kter\u00e9 se velebn\u011b linou mezi poslucha\"\"<\/a>\u010di. Navozuj\u00ed dokonalou atmosf\u00e9ru pro po\u010d\u00e1tek kategorie. Zni\u010dehonic je v\u0161ude plno t\u00f3n\u016f. Mistrovsk\u00e9 d\u00edlo skladatele (T. A. Vitali). Mongolsk\u00e1 sout\u011b\u017e\u00edc\u00ed p\u0159edv\u00e1d\u00ed maximum sv\u00fdch dovednost\u00ed, ot\u00e1zkou je, jak obstoj\u00ed v\u00a0konfrontaci dal\u0161\u00edch sedmi koleg\u016f v\u00a0t\u00e9to kategorii. Vystoupen\u00ed mlad\u00e9 d\u00e1my<\/span><\/p>\n

\u00a0v\u00a0\u010dern\u00e9m je ale sugestivn\u00ed jako celek, od filma\u0159\u016f by si odnesla cenu za v\u00fdtvarn\u00e9 ztv\u00e1rn\u011bn\u00ed a atmosf\u00e9ru. Na p\u00f3diu v\u0161ichni v\u00a0\u010dern\u00e9m (i obrace\u010dka not), hudba chmurn\u00e1, kouzlo necht\u011bn\u00e9ho. Pro publikum ale takzvan\u011b dobr\u00fd \u201eotev\u00edr\u00e1k\u201c na po\u010d\u00e1tek sout\u011b\u017ee.<\/span><\/p>\n

\u00d6ktem Ayse Duru<\/b><\/p>\n

Veracini: Mal\u00e1 princezni\u010dka ve zdobn\u00fdch \u0161atech, jej\u00ed soust\u0159ed\u011bnost dosahuje a\u017e ke mn\u011b do \u0161est\u00e9 \u0159ady. Jestli maj\u00ed housle du\u0161i, mus\u00ed pr\u00e1v\u011b s\u00a0touto houslistkou komunikovat.<\/span><\/p>\n

Wieniawski: Poklona pro ob\u011b \u00fa\u010dinkuj\u00edc\u00ed na podiu. V n\u00e1stupech i jinde hraj\u00ed, jako kdyby spolu vystupovaly odjak\u017eiva! Ve virtu\u00f3zn\u011bj\u0161\u00edch \u010d\u00e1stech ov\u0161em mlad\u00e9 houslistce je\u0161t\u011b neu\u0161kod\u00ed, a\u017e v\u00edce vyzraje. V Han\u011b Lou\u017eensk\u00e9 u klav\u00edru se objevuje dal\u0161\u00ed v\u00fdrazn\u00fd korepetitor sout\u011b\u017ee. Mlad\u00e1 sle\u010dna z\u00a0Turecka m\u00e1 evidentn\u011b \u201ena\u0161l\u00e1pnuto\u201c na virtu\u00f3zn\u00ed karieru, co\u017e potvrzuje ve fin\u00e1le skladby.<\/span><\/p>\n

\u00a0interpretky p\u0159i p\u0159\u00edchodu. Suver\u00e9nn\u00ed v\u00fdkon, typick\u00fd pro KHS, na kter\u00fd se publikum t\u011b\u0161\u00ed a kter\u00fd sv\u00fdm zp\u016fsobem i o\u010dek\u00e1v\u00e1. Hudba je je\u0161t\u011b podtr\u017een\u00e1 sugestivn\u00edmi v\u00fdrazy mlad\u00e9 houslistky. 100 procent! To se mus\u00ed vid\u011bt (a sly\u0161et). Fenomen\u00e1ln\u00ed, mimo m\u011b\u0159\u00edtka!<\/p>\n

Troupov\u00e1 Lucie<\/b><\/p>\n

Paganini: Po mollov\u00e9m za\u010d\u00e1tku a \u00favodn\u00edch t\u00f3nech na rozehr\u00e1n\u00ed houslistky p\u0159ich\u00e1z\u00ed veselej\u0161\u00ed \u010d\u00e1st, pot\u00e9 n\u00e1vrat do moll, ov\u0161em u\u017e s\u00a0virtu\u00f3zn\u00edmi prvky. Paganini se nezap\u0159e\u2026<\/span><\/p>\n

Bruch: Je zn\u00e1t, \u017ee v\u00a0t\u00e9to kategorii jsou mladi\u010dk\u00e9 houslistky na rozhran\u00ed d\u011btsk\u00e9ho v\u011bku a vykro\u010den\u00ed k\u00a0n\u00e1ro\u010dn\u011bj\u0161\u00edm kus\u016fm a dal\u0161\u00ed etap\u011b sv\u00e9ho vzd\u011bl\u00e1v\u00e1n\u00ed. Hra z\u00edsk\u00e1v\u00e1 ka\u017ed\u00fdm t\u00f3nem razanci, suverenitu. Tato houslistka, dnes t\u0159et\u00ed v\u00a0po\u0159ad\u00ed, m\u011b\u0159eno silou hry a \u201eop\u0159en\u00edm se do skladby\u201c je rozhodn\u011b o kus d\u00e1l ne\u017e jej\u00ed dv\u011b p\u0159edch\u016fdkyn\u011b dnes. T\u00f3ny jsou nal\u00e9hav\u011bj\u0161\u00ed, b\u011bhy zn\u011blej\u0161\u00ed. Ot\u00e1zkou je, zda to<\/span><\/p>\n

\u00a0bude sta\u010dit na v\u00fdrazn\u011bj\u0161\u00ed ocen\u011bn\u00ed\u2026<\/p>\n

Tokura Lin<\/b><\/p>\n

Wieniawski: Po prvn\u00edch taktech naprosto virtu\u00f3zn\u00edho v\u00fdkonu ka\u017ed\u00fd z\u00a0publika pochopil mil\u00fd a dlouh\u00fd \u00fasm\u011bv<\/span><\/p>\n

Paganini: Dokonal\u00fd v\u00fdkon, hudbu dotv\u00e1\u0159\u00ed i cel\u00e1 komunikace hr\u00e1\u010dky s houslemi, hudbou a publikem. Lin Tokura si to prost\u011b u\u017e\u00edv\u00e1, tak jak je bohat\u00e1 hudba a jej\u00ed v\u00fdkon, tak je bohat\u00e1 i jej\u00ed mimika. Dokonal\u00fd komplexn\u00ed z\u00e1\u017eitek pro div\u00e1ka. Trouf\u00e1m si \u0159\u00edci, \u017ee si ho zopakujeme i v sobotu na koncert\u011b v\u00edt\u011bz\u016f. A jako te\u010dka p\u0159i odchodu? Op\u011bt \u0161irok\u00fd sympatick\u00fd \u00fasm\u011bv.<\/p>\n

Hamp\u00e1lov\u00e1 Helena<\/b><\/p>\n

Dvo\u0159\u00e1kovy Romantick\u00e9 kusy navod\u00ed atmosf\u00e9ru okam\u017eit\u011b. A s\u00edla Dvo\u0159\u00e1kovy hudby pom\u00e1h\u00e1 i interpretce naj\u00edt kontakt s publikem a p\u0159emoci atmosf\u00e9ru, kterou publikum uchv\u00e1tila p\u0159edchoz\u00ed Japonka Lin Tokura. Hr\u00e1t po takov\u00e9 favoritce je samo o sob\u011b na speci\u00e1ln\u00ed cenu. Interpretace Dvo\u0159\u00e1ka je standardn\u00ed. Hodnotn\u00fd v\u00fdkon.<\/span><\/p>\n

Kabalevskij se sv\u00fdm hudebn\u00edm sv\u011btem je dobrou p\u0159\u00edle\u017eitost\u00ed pro houslistku se bl\u00fdsknout. Je tu i jist\u00e1 suverenita, kter\u00e1 dnes chyb\u011bla \u00fapln\u011b prvn\u00edm \u00fa\u010dinkuj\u00edc\u00edm v\u00a0kategorii. Velk\u00e1 chv\u00e1la do ZU\u0160 Bohuslava Martin\u016f.<\/span><\/p>\n

Rako\u010devi\u0107 Nina<\/b><\/p>\n

    \n
  1. Lalo: U\u017e od prvn\u00edch t\u00f3n\u016f je jasn\u00e9, \u017ee zejm\u00e9na pro laiky je na p\u00f3diu dal\u0161\u00ed skv\u011bl\u00e1 \u00fa\u010dinkuj\u00edc\u00ed. Zd\u00e1 se, \u017ee p\u0159i losov\u00e1n\u00ed osud s\u00e1m cht\u011bl vytvo\u0159it dramaturgii sout\u011b\u017ee a nad\u011blit v\u0161em v s\u00e1le gradaci v\u00a0t\u00e9to kategorii. Par\u00e1dn\u00ed v\u00fdkon, kdy m\u011b \u201edosp\u011bl\u00fd\u201c zvuk housl\u00ed nut\u00ed mimod\u011bk kontrolovat v\u011bk sout\u011b\u017e\u00edc\u00ed (2011). Neuv\u011b\u0159iteln\u00e9. Mladi\u010dk\u00e1 houslistka p\u0159edv\u00e1d\u00ed cosi, \u010demu se v\u00a0tomto v\u011bku ve \u0161k\u00e1le dynamiky a virtuozity ned\u00e1 v\u011b\u0159it.\u00a0<\/span><\/li>\n
  2. Bazzini: Houslistka si svoji hru u\u017e\u00edv\u00e1 nadoraz, publikum si vede s\u00a0sebou. Op\u011bt potleskom\u011br na maximu. P\u0159em\u00fd\u0161l\u00edm, jestli se p\u0159\u00ed\u0161t\u00ed okam\u017eik neprobud\u00edm doma na posteli s\u00a0t\u00edm, \u017ee se mi zd\u00e1l neuv\u011b\u0159iteln\u00fd sen o leto\u0161n\u00ed KHS.<\/span><\/li>\n<\/ol>\n

    Watzko Magdalena Anna<\/b><\/p>\n

    Suk: Nal\u00e9havost Sukov\u00fdch t\u00f3n\u016f n\u00e1s bere do jin\u00e9ho sv\u011bta, housle promlouvaj\u00ed sv\u00fdm zp\u011bvem a\u017e do nitra poslucha\u010de. Hudba vhodn\u00e1 k\u00a0ve\u010dern\u00edmu zamy\u0161len\u00ed. A interpretace to dokonale dotv\u00e1\u0159\u00ed. V\u00fdborn\u00fd hudebn\u00ed z\u00e1\u017eitek.<\/span><\/p>\n

    Kreisler: Preludium a Allegro. Pro st\u00e1l\u00e9ho n\u00e1v\u0161t\u011bvn\u00edka t\u00e9m\u011b\u0159 tradi\u010dn\u00ed skladba, kterou bylo mo\u017en\u00e9 v\u00a0pr\u016fb\u011bhu desetilet\u00ed \u010dasto sl\u00fdchat a do kter\u00e9 je p\u0159\u00edjemn\u00e9 se zaposlouchat. Interpretka zvl\u00e1d\u00e1 dob\u0159e. Jemn\u00e9 nuance ohodnot\u00ed porota, u m\u011b jako fanou\u0161ka sout\u011b\u017ee (od roku 1986) jasn\u00e1 pochvala! Skladba se hezky poslouch\u00e1 a o to jde! Leccos to i nazna\u010duje.<\/span><\/p>\n

    Zhu Nika-Ruotong<\/b><\/p>\n

    Sarasate: D\u016fstojn\u00fd z\u00e1v\u011br kategorie! Houslistka si hezky p\u0159ed\u00e1v\u00e1 \u00favodn\u00ed n\u00e1ladu Introdukce s\u00a0klav\u00edrem a pan\u00ed H\u00e1jkov\u00e1 cel\u00fd jej\u00ed v\u00fdkon podtrh\u00e1v\u00e1. A ejhle \u2013 virtuozita v\u00a0druh\u00e9 \u010d\u00e1sti (Tarantella) op\u011bt l\u00e1k\u00e1 poslucha\u010de ke h\u0159e na hon\u011bnou. Chy\u0165 si m\u011b, \u0159\u00edk\u00e1 houslistka a sype t\u00f3ny z\u00a0ruk\u00e1vu jako kouzeln\u00edk. Uchopit okam\u017eik t\u00e9m\u011b\u0159 nejde, ne\u017e se zkoncentrujete, sou\u010dasn\u00e9 t\u00f3ny u\u017e jsou ozv\u011bnou n\u011bkde v\u00a0d\u00e1li du\u0161e.<\/span><\/p>\n

    Glier: Kr\u00e1sn\u00e1 skladba na z\u00e1v\u011br cel\u00e9 kategorie. Jakoby \u201esbohem a \u0161\u00e1te\u010dek\u201c\u2026 Skladba pln\u00e1 vnit\u0159n\u00edho dramatu a emoc\u00ed. Celkov\u00e9 vystoupen\u00ed velmi siln\u00e9. Ve sportu bych \u0159ekl \u201ena medaili\u201c<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

    Tulgat Yesui\u00a0\u00a0 \u010cern\u00e1 barva \u0161at\u016f koresponduje se smutkem prvn\u00edch t\u00f3n\u016f skladby, kter\u00e9 se velebn\u011b linou mezi poslucha\u010di. Navozuj\u00ed dokonalou atmosf\u00e9ru pro po\u010d\u00e1tek kategorie. Zni\u010dehonic je v\u0161ude plno t\u00f3n\u016f. Mistrovsk\u00e9 d\u00edlo skladatele (T. A. Vitali). Mongolsk\u00e1 sout\u011b\u017e\u00edc\u00ed p\u0159edv\u00e1d\u00ed maximum sv\u00fdch dovednost\u00ed, ot\u00e1zkou je, jak obstoj\u00ed v\u00a0konfrontaci dal\u0161\u00edch sedmi koleg\u016f v\u00a0t\u00e9to kategorii. Vystoupen\u00ed mlad\u00e9 d\u00e1my \u00a0v\u00a0\u010dern\u00e9m je […]<\/p>\n","protected":false},"author":6,"featured_media":4841,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-4863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-novinky-soutez"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts\/4863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/comments?post=4863"}],"version-history":[{"count":0,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/posts\/4863\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/media\/4841"}],"wp:attachment":[{"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/media?parent=4863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/categories?post=4863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kocianovo-usti.com\/en\/wp-json\/wp\/v2\/tags?post=4863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}